Wednesday, 16 December 2009
Christmas Holidays.
Wednesday, 9 December 2009
Editing
Monday, 30 November 2009
Editing.
We have put together the draft of the first verse and part of the chorus, and so far have managed to keep the lip-syncing in time with the song.
We just need to keep up with spending our own time in the iMac room to make sure we get the music video completed.
Sunday, 29 November 2009
Filming - Outside Locations.
Even with these drawbacks and obstacles, we still managed to film the scenes that were needed and are quite happy with the results considering the weather conditions.
Now this is all of our filming done for now, but if when editing we notice that more needs to be added then we will film again.
Next step is editing.
Tuesday, 24 November 2009
Amendments to story.
To make the present story more clear, we have decided to show more clips of the characters history together:
-It will be set in the park - the boy and girl are walking together holding hands, etc. But here's the twist - as the camera goes round the tree to focus on the couple again, the boy is seen sitting there by the tree on his own without the girl. In between this will be flashes of the girl texting the boy 'I'm sorry it's over'. This will then set the scene for the boy to be revealed as a 'stalker' following his ex. The girl is later seen going crazy/mad.
Filming - Inside locations.
Today we have filmed the scenes which only take place inside, as we hope for better weather to be able to film outside.
The filming came out quite well today and hopefully will be reflected on screen when we upload the clips and start editing on the iMacs. All that is left to do is to film the scenes which take place outside and hopefully that will be our filming done.
Tuesday, 17 November 2009
Health and Safety - Risk Assessment.
Friday, 13 November 2009
Audiences and Audience Theory - continued (2).
-In 1975, Laura Mulvey changed the way people looked at cinema through her influential essay titled 'Visual Pleasure and Narrative Cinema'.
Key points taken from this are below -
-Cinema reflects society.
-Therefore cinema reflects a patriarchal society (male-dominated society).
-There is a 'Glass-Ceiling' effect for women; which is a metaphor for the fact that women can see the 'top', but can not get through or reach it.
How does a patriarchal society manifest itself in cinema?
An example :
-Patriarchy and phallocentrism are linked.
-The phallus is the symbol of power.
-Note how guns are used in films, GUNS=PHALLUS=POWER
-The male mid-life crisis and phallocentrism.
The GAZE
-The 'gaze' of the camera is the male 'gaze'.
-The male gaze is active, the female is passive.
-Within the narrative, male characters direct their gaze towards female characters.
-The spectator is made to identify with the male look, because the camera films from the optical, as well as the libidinal, point of view of the male character.
-Thus three levels of the cinematic gaze - CAMERA>CHARACTER>SPECTATOR - that objectify the female character (THE TRIPLE GAZE).
-Therefore the audience is constructed as though everyone was male.
-Women are forced to look as though they were a male audience member.
Agency
-In the Classical Hollywood cinema, the male protagonist has agency - he is active and powerful.
-He is the agent around whom the dramatic action unfolds.
-The female character is passive and powerless - she is the object of desire for the protagonist and audience.
Tuesday, 10 November 2009
Final Preparation.

Justification of Ideas - The idea of a paranoid girl believing she is being followed relates to the lyrics of 'Paranoia'. With our ideas, we want to derive the meaning of the lyrics and present in the best way possible on screen. Since conventions of rock videos are typically quite dark, we decided to use the darkest, almost thriller-like idea we could get to represent and portray the song.


Wednesday, 4 November 2009
Audiences and Audience Theory.

Audience Theory - continued (3).
-Given that the Effects model and the Uses and Gratifications have their problems and limitations a different approach to audiences was developed by the academic Stuart Hall at Birmingham University in the 1970s.
-This considered how texts were encoded with meaning by producers and then decoded (understood) by audiences.
-The theory suggests that :
-When a producer constructs a text that is encoded with a meaning or message that the producer wishes to convey to the audience.
-In some instances audiences will correctly decode the message or meaning and understand what the producer was trying to say.
-In some instances the audience will either reject or fail to correctly understand the message.
-Stuart Hall identified three types of audience readings (or decoding) of the text :
1. Dominant or preferred.
2. Negotiated.
3. Oppositional.
1. Dominant.
-Where the audience decodes the message as the producer wants them to do and broadly agrees with it.
-E.g. Watching a political speech and agreeing with it.
2. Negotiated.
-Where the audience accepts, rejects or refines elements of the text in light of previously held views.
-E.g. Neither agreeing or disagreeing with the political speech or being disinterested.
3. Oppositional.
-Where the dominant meaning is recognised but rejected for cultural, political or ideological reasons.
-E.g. Total rejection of the political speech and active opposition.
Tuesday, 27 October 2009
Digi-Paks Research.

Below is some information I found on the website http://www.wikipedia.com/ :
Digipak is a patented style of compact disc or DVD packaging, and is a registered trademark of AGI Media, a MeadWestvaco, Inc. resource, which acquired the original trademark holder, IMPAC Group, Inc., in 2000. MeadWestvaco licensed the name and designs to manufacturers around the world.
History
Digipaks typically consist of a gatefold (book-style) paperboard or card stock outer binding, with one or more plastic trays capable of holding a CD or DVD attached to the inside. Since Digipaks were among the first alternatives to jewel cases to be used by major record companies, and because there is no other common name for Digipak-style packaging made by other companies, the term digipak or Digi-Pak is often used generically, even when the media holder is a hub or "Soft Spot" rather than a full plastic tray.

Digipak-style packaging is often used for CD singles or special editions of CD albums and the tall DVD Digipak (DVDigipak) is used as a premium package for DVDs and DVD sets. Because such packaging is less resistant to abrasion than jewel cases, it tends to show signs of wear relatively quickly. Licensed digipak manufacturers such as domestic U.S. printer and disc replicator Oasis Disc Manufacturin recommend coating the raw printed paper with a protective UV coating, thus ensuring greater longevity.
Although less vulnerable to cracking than a jewel case, the disc tray inside the package (particularly the "teeth" of the hub which secure the disc in place) remains rather brittle and is prone to cracking if the package is crushed. Digipak-style cases grew in popularity among record labels and recording artists in the early 2000s.
Manufacturers have sought to reduce environmental impact and improve functionality by introducing recycled components into its trays; one has announced a 100% post-consumer PET tray made from recycled bottles, which also eliminates the need for the brittle "teeth". Many printers use recycled or sustainable material for the board stock.
Measurements :-
I have found a website which demonstrates the different measurements for digipaks; depending on how many panels you want to have and where you want the disc tray to be situated.
http://www.duplication.ca/printspecs/digipack.htm
It also includes downloadable PDF versions of the templates, which will make it easier when coming to make our own.
Thursday, 15 October 2009
Animatic.
Here is the draft of our animatic for our music video. We drew the pictures onto a storyboard sheet and took pictures with our phone to send them to the computer. After uploading them to the computer, we used Windows Movie Maker to merge the clips together to make a short video. Each picture coincides with each scene/part written down on the blog below. This is the sequence we wish to film in.
Audience Theory - continued (2).
Storyboard.
All we need to do next is to take individual pictures of the scenes on our storyboard and order them into an animatic for the music video. After this step, we will commence our filming.
Below are the three pictures of our storyboard:



Thursday, 8 October 2009
Final Idea/Plan for the Music Video
Start of with flashes of someones feet walking down the street. In between theses flashes are images (short clips) of a boy sitting in his bedroom on his bed looking at his phone.
Camera high-angle shot looking down on him
Camera shot inside the wardrobe as if someone is watching. See boy throw the phone on the bed.
Next shot is focusing on the boy on the bed (with wardrobe in view slightly open). Boy stretches out and lays back on the bed with hands on head, stressed.
Camera follows the boy as he goes to get off the bed and a quick shot of him going to walk out the room (don't actually see him fully leave).
Straight cut to a close-up of the phone left lying on the bed, and a hand is seen picking up the phone on the bed (text message is shown on the screen still).
Flashes quickly back to the feet walking down the street. Then cuts to the boy singing the song underneath a tree (or down the same road).
Then cuts back to the boy, who is now sitting in his living room by the stairs looking upset/scared.
Low-angle shot looking up at the boy who is sitting on the sofa, but behind is someone sitting on the stairs above him slightly (face is not shown just yet to hold anticipation and suspence, plus low-angle is then seen to show the 'stalker' looking down on the boy).
Stalker is seen to be holding something in their hands, not yet clear.
Camera then moves onto the stairs from the position of the 'stalker' to look down on the boy.
Boy goes to turn his around as he is suspicious someone is watching. Camera view cuts to behind the boy (camera is not on the stairs anymore) as he turns around. Camera slowly moves up to the stairs above him to show that no one is sitting on the stairs.
Position of the camera then moves to on the stairs again looking down on the boy as he turns back around to face the front. Camera moves slowly away from the boy and reveals that the object the 'stalker' was seen to be holding had been left behind on the step - the phone from the bedroom.
Again the scene goes back to the singer/band while they lip-sync. Different shots to show different views of the setting where they are singing.
Scene then cuts to the feet walking down the street. Next shot shows it is the same boy walking down the road on his own, clearly here no one is behind him. Camera again focusing on his feet walking, but this time it is different. Another pair of feet are shown walking behind (same feet that were on the stairs). Cut to the full view of the boy walking again and 'stalker' is shown walking behind. Boy turns to look behind him but camera reveals no one is there again (like scene with the stairs).
Again, more lip-syncing.
Next scene - boy is back at home/a house looking in a mirror. Appears distressed/nervous/worried. Pulling at his hair, shaking?
More lip-syncing.
Back to the boy in front of the mirror. Still looking distressed. Different shots of him looking into the mirror. Then he forcibly shuts his eyes and the screen goes blank/black.
On the very last note - the boy is seen to open his eyes again on screen still looking in the mirror. But now the 'stalker' is standing behind him, in full view to boy as their reflections are both in the mirror. Shock on the boys face.
Then fades out.
Tuesday, 6 October 2009
Audience Theory - continued.
Tuesday, 29 September 2009
Audience Theory
Thursday, 24 September 2009
100 Greatest Videos - Continued (2)
Tuesday, 22 September 2009
100 Greatest Videos - Continued.
Thursday, 17 September 2009
Ideas.
-One person walking round on their own being stalked (by someone from their past). Keep turning around but no ones there (paranoia)
-Different shots of one person / group lip-syncing or maybe playing instruments
-Lots of different locations used - park, church ground, bedroom, living room, streets
-Quick shots
-One idea is to have the person being stalked sitting in the living room on the sofa, (long-shot) where you can also see the person sitting on the stairs behind them. Have close-up of the "stalker's" lips and face as they lip-sync the word in the song "paranoia". Mid-shot of the person being stalked turning their head to look around behind them, (another shot at 180` seeing them after turned round), no one will be there though. Then long-shot showing no one is on the stairs...
-Another idea is to have the stalked person kneeling on the floor in the bedroom looking up at the ceiling with the camera looking down on them spinning in a circle. Have the stalker laying by/underneath the bed in the corner so you can still slightly see them (and then again with them not there). Have a similar turning shot with the camera looking up at the flashing light (and during editing alternate between these three shots).
-Phone shot....(wipe transition)
-Shot of someones feet while running, then straight cut to someones feet who is laying on the floor.
100 Greatest Videos.
Thursday, 10 September 2009
Other coursework examples.
The main aspects that everyone pointed out was the timing of the lip-syncing and how it automatically down-graded the music video; even if the rest of it was good. So it helps to realise what our main priorities are going to have to be when planning our own music video.
Watching more and more examples of music videos will also help to give us a wider variety of knowledge on what is expected from music videos, and clever devices we could interpret into our own music video. It also could help us decide on what techniques to use for the coursework, as watching them already completed guides us into seeing what they look like finished in the music video, and what kind of effect they have on the overall image/tone/interpretation of the video.
Being able to see bad examples of music videos will be a great assistance to see what makes it a bad video - so we know not to repeat this mistake when it comes to our final project.
Wednesday, 9 September 2009
Lyrics to 'Paranoia'
Check the phone there's no one calling
Read a letter in the paper
Send a message, see you later.
Paranoia, check your phone line
Scared to take a walk at night time
Light a candle, kill the night light
Out of mind is out of sight.
And I'm running like I'm being chased
Missing like I've been erased
Seeking something never found
Standing on this broken ground.
Wishing for a hand to hold
My life's a story still untold
Paranoid I've missed my time
This minute now I draw the line.
Paranoia, you hear a siren
Look above the planes are flying
Who's are the good guys euro disguise
Paying someone to hide the lies
911 so far from heaven
Paranoid that this is the end.
Now that we have the lyrics written down, we can easily come up with ideas to relate to these.
Back to School (A2)
As we are sure on which song we want to use for this part of the coursework, we can already start planning some parts of what we are going to do.
This includes: the overall theme of the music video, whether it will tell a story throughout, and already plan out which camera angles or techniques we would like to try out/use.
This means within the next couple of lessons, my group will start bringing our individual ideas together and brainstorming them to see what we can come up with.
I think the lyrics of the song 'Paranoia', which we are using, will be a big help contributing to our ideas - and we should take these into consideration when brainstorming.
Sunday, 6 September 2009
Monday, 3 August 2009
Research ; Amy Winehouse - Back to Black
This is the music video Back to Black by Amy Winehouse.
I think this video gives a good insight to how the mise en scene can be used effectively to relate to a song's lyrics and give a strong impact to the way the song is seen.
Mise en scene.
The video is based around a funeral of a person and everyone is dressed in dark colours. The scene depicts a mournfulness which is reflected in the tone and lyrics of the song. The music has an almost funeral-like sound with the bells which is matched by the story that the video is telling.
The video itself is quite intriguing as it makes the audience want to know what is actually happening and whose funeral it is, in which they are all going to.
Editing.
The music video is in black and white the whole way through; which again reflects the mournful tone of the music and lyrics. The overall pace of the video is pretty slow compared to others I have seen - also matching the downbeat reflectiveness of the song.
There is one part in the video which I find to be the most effective. This is when Amy Winehouse drops the flower on to the coffin of a loved one and at the exact time the flower hits the coffin ; a funeral-like bell chimes. It adds the the heaviness of the mood and the flower that is being dropped. It is very effective because it emphasizes the music and makes it more emotive.
I like this video because it thoroughly portrays the emotion well from the lyrics and puts it into context for the audience to view on screen. However, it did not sell as well as other Amy Winehouse songs, so it could mean that this type of video is subjective in the audience it attracts.
Tuesday, 14 July 2009
Confirmation Email
Here is a copy of the confirmation email from the band :
"Hi Jessica,
Of course you can use Paranoia. We'd like to see your project when it is complete.
Good luck with it all and thanks for using one of our songs. Remember to tell all your friends about our band as we hope to visit the UK one day soon.
Lukey
MY FUTURE LIES"
Now I have definite use of the song I can start brainstorming ideas for the music video. Through research from other music videos and conventions of music videos, I will collate the ideas together to help me progress in making my own one.
Thank you My Future Lies.
My Future Lies
Below is a copy of the same email I had sent My Future Lies :
"Hey,
My name is Jessica and I was browsing unsigned.com when I came across your band and really liked your music.
I have a project coming up soon for 6th form where I have to make a music video for an unsigned band. I was wondering if I could have your permission to use one of your songs like 'Paranoia' for my coursework. It is not for commercial use and I can send you the final outcome if you decide to give me permission to use it.
Thanks,
Jessica"
I really hope that I will be able to use this song as it has lyrics to help inspire me with ideas to use for the music video, and has varying tempo speeds; which I will be able to vary the speed of my editing to.
Tuesday, 7 July 2009
Analysing a Music Video

The CD cover includes the band members and song title which links to the music video. It has a similar dark theme that is also reflected in the video.
As it reflects the mood of the band and the song, it helps the people to recognise the style and image that the band hold and maintain.
Tuesday, 16 June 2009
Music Video Conventions.
- The band singing along or performing
- The story being told through the video about the lyrics
- The action matching the lyrics
- Miming/lip-syncing
- The use of mise-en-scene
- Instruments being used
- The use of backing singers or dancers (extras)
- Special effects
- Fantasy sequences
- Setting the mood of the video
- Face pace of editing
- Eye-catching colours and scenery
However, not all music videos have to have these conventions included in them; otherwise the video can seem unnecessarily cluttered and too 'busy' for the audience to watch.
The purpose of a music video is to mainly promote a band/track. The video should catch the interest/attention of the audience to make them want to carry on watching the video. This, therefore, causes the audience to listen to the whole song. It must grab (audiences attention), entertain and advertise.

